A hunk of scrap metal. Burned cars. Bottle caps. Rusty nails jutting out of a discarded 2 x 4 found on the side of the road. Objects that many of us would take for granted are the ammunition for the work of Ross Lunz; ejecting images and objects that marry the gritty refuse of a post-industrial society with the elegance, precision, and techniques used to manufacture traditional fine metal work and jewelry.
